ikebe shakedowns debut release is as heavy as an angry herd of elephants! recorded at dunham studios in brooklyn with the help of members of the budos band, these tracks are rough and tough to be sure and offer a variety of different sounds from the band. ikebe seamlessly blends the raw emotion and passion of 70s african funk with the danceable horns and rhythms of american soul music! bio: ikebe shakedown is brooklyn-based, eight-piece instrumental juggernaut that incorporates the sounds of 60s and 70s african funk and american soul music for a totally fresh sound. featuring dynamic horns backed by a hard-hitting rhythm section, ikebe shakedown (pronounced ee-kay-bay) will get you out of your seat and onto the dance floor! with obvious influences from legendary groups such as the j.b.s and the meters, ikebe shakedown is also looking to make their own mark on the brooklyn scene in the vein of more contemporary groups like the budos band, antibalas, and the menahan street band.

nice price deal !!! the metroklang project aims to introduce a wide-ranging musical concept, in which techno and house music are strikingly contaminated by different sounds. metroklang debuts on the international art scene with the ep >barduloso<, the first, decisive and winning stage of a sensory journey full of experiences and of original, eclectic, innovative and intense nuances.when listening to it, the sensation is to walk the streets of a big metropolis: among flashing lights, crowded streets, towering skyscrapers, a mixture of ethnic groups, cultures, habits and tastes, feeling on the skin the thrill of unexpected encounters and the emotion of being at the center of the world, in a unique and unrepeatable experience.

globally recognized and respected dj and producer clif jack pairs up with producer and live specialist matteo bruscagin to present leviathan ep on resopal. the ep contains four outstanding minimal and reduced techno tracks -quantum- features slithering synth lines, a nimble and inviting baseline, and plenty of warming emotion. -zadok- is more rubbery and direct, with clacking perc, freewheeling synth lines, and bubbly, roaming drums. -hurricane- has a somber, minor-chord bassline alongside crisp, clean hi-hats while the title track leviathan toys with dancers and posesses a memorable bass line. all four tracks have laidback grooves -- loopy, organic and sexy -- effortlessly seduce the crowd.

die 22 jährige, in southampton aufgewachsene und in london lebende sängerin, songwriterin und produzentin laurel arnell-cullen veröffentlicht mit der 4-song -park- ep ihr counter records (ein ninja tune-imprint) debüt. auf exquisite melodien gehauchte vocals vermitteln emotion und intimität. geschrieben, aufgenommen, produziert und gemixt wurde die ep von laurel in ihrem schlafzimmer-studio in east-london. ein debüt-album ist für anfang 2017 geplant. bis dahin wird die park ep ihre position als phänomenales, neues talent unterstreichen, das für eine pure, organische produktion mit berührendem songwriting sowie markanten und kraftvollen gesang vereint und bezaubert.<br / pressung auf transparentem vinyl, inklusive poster und downloadcode.

-broken knowz- signals a departure from jay’s previous output. disillusioned with the constraints of drum programming and the associated deficiencies translating human feeling or emotion, he retreated to his mother’s basement, picked up his drumsticks and

shubaka come through with their third release, a big time house affair featuring two heavyweights of the scene, dj nature and damon lamar. the a side features a magical downtempo house number from dj nature. think 90s nyc, a crisp bass line and some mysterious keys. damon lamar takes things deeper on the flip, with a slow burning house number that packs plenty of emotion and atmosphere.

cabanne has been active for over 16 years and is considered as one of the main players on the minimal house scene. he is well known for his jazz and funk influences which bring a unique groove and tune to this set of 11 tracks lp available mid-october on cd and 3x12. discopathy will bring an intense pleasure to minimal house lovers, electronic music enthusiasts and jazz players who will fully enjoy this pure piece of minibarism, comfortably installed close to the flames of a burning dancefloor. this album matured and has been refined for years and it is with great emotion for both cabanne and minibar label that it is announced today.

be y&#333,kai’ is the collaborative project from techno duo minilogue’s sebastian mullaert , fellow swedish composer douglas holmquist and celebrated illustrator/animator kristofer ström . uniting music with art and the moving pic ture, ‘facefist’ leads a multimedia experience through a trio of mesmerising audio/visual trips - two films (‘facefist’ and ‘facemissed’) featuring japanese anime-inspired shape-shifting creatures and a third more abstract, alternate vision/soundscape( ‘facekissed’).standalone track ‘facetwist’ is a more propulsive version of leadtrack ‘facefist’.this debut release will be landing as a rare treat from hypercolour offshoot space hardware with a limited run of vinyl. art flourishes when the freedom, flow and creativity intersect. often a direct response to resistance, art transcends borders and the physical to allow transmission of the soul, emotion and consciousness.

as we welcome another talented artist to our family we asked viken about the first part of a two part release and he told us it s really important to understand that this ep is a series of pictures telling a story. combining the names of all the tracks one gets this interesting and dreamy sentence, on a blue road a white shadow feels the winter. to translate these pictures into music, i needed a very particular sound. since i am a huge fan of jazz music i took one of my favorite records, used a lot of samples and reworked them in my own way. from the technical aspect, i decided to reconnect with my first love: analog machines. i love working with sound textures. i stayed away from my laptop and all my vst/plugins as i felt the need to compose these tracks in an unusual way: i wanted the sound to be really pure. that s the reason why this process was so essential for me. for me, this ep is the first one to sound like this. this is the first of two releases from a deeply talented soul. a patient collage of house, jazz, acid squiggles and deep emotion. played and loved all summer long by lee burridge at all day i dream, these tracks will stay with you through winter and into next summer.

after a succession of new signings including recloose, tom trago and paul woolford - aus music return to their original roster and roll out another solid 3-track ep from label mainstay huxley who - in a monumental pairing - enlists the help of chicago legend roy davis jr. with a grand total of 8 aus records under his belt including his lauded lp blurred - huxley continues to return with a sound that typifies the label - intricate dance that music that packs power and emotion in equal measures. the rag & bone ep kicks off with do you feel me - a track that seed roy davis jr. and huxley meld moody synths with a tough, rattling low-end. a striking vocal runs over subtle flecks of acid and bending melodies that make for a pensive trip before weapon 3 dials carl craig-esque tension with rough, tribal drums and razor sharp sweeps. the dub of weapon 3 then mellows the tone of the original and rounds off a varied pack of dance floor bombs.

bevor dieses jahr die festival saison begonnen hat bin ich in berlin ins studio gegangen und habe einige tracks für meine sets aufgenommen. zwei stücke davon spiele ich immer und immer wieder, sie wurden zum soundtrack für diesen sommer. sie sind hypnotisch und freaky genauso wie meine dj-sets. bei der produktion der beiden stücke habe ich einige von meinen lieblingsinstrumenten verwendet, die 303, die 909 und den minimoog, um düstere, verzerrte vocals, seltsame beats und pure, drastischer emotion zu erzeugen. die platte ist meine definition des allien sounds. ellen allien, september 2016

andrea pellegrinelli and davide brugola are two men born and bred in the traditions of italo and electro disco. the duo, as forklift & saw, release their debut 12”, regression, as they melt past influences into the present. meandering hooks, emotion soaked keys and snapping rhythms are at the centre of this milan partnership s music. across four tracks the pair delivers crashing snares, starlit synths and rumbling arpeggiators. infectious full bodied funk oozes from this fledgling outfit, crisp percussion supporting their night gazing melodies. welcome to the world of forklift & saw.

over the last year, daniel martin-mccormick has been exploring new terrain as relaxer, releasing a series of eps on the project s eponymous label. the third installment follows the paranoid whispers and mossy drip of the first two, yet is the most direct so far. “forming” and “forming (version)” offer distinct takes on a simple rhythmic motif, the first reaching for the heavens, and the b2 “version” sinking into hell. both develop gradually, drawing in the dance floor before unleashing, the a-side’s yearning strings and thunderclaps overflow with emotion, while “version” is a vortex of ever-escalating, dark intensity. in between is “monday,” a teeming environment with a deep bass throb, pounding drums, and shimmering percolating melodies.

narratives music presents a stunning remix package with three much anticipated reworkings of the labels very first release.
a welcome return to the label for blocks and escher, and an opportunity for them to pick two of their favourite artists to reinterpret their music.
paradox and om unit both deliver sublime remixes in their own individual inimitable styles while retaining the beauty and emotion of ‘broken’.
the long awaited blocks and escher vip of ‘sagan’ finishes off the release, sure to raise a smile on all those who have asked about it over the last two years.
record collectors will note that the om unit remix is presented on a one sided record with a laser etched narratives logo design on one side.

royal athlete records are back with another set of party bombs, lovingly curated to achieve maximum perspiration. heading up side a is dreamers by uk s chaconne. a certified disco-piano-banger, recalling 80s nyc hedonism and emotion. (the real) kent clark, who so far has only one release on bordello s riviera disco series follows up with an electro-boogie dub workout entitled make it right . our man in holland: aux tha masterfader, takes us back to the old-school with the linndrum breakdance beast, let s dance to the beat ... he commands, we obey. closing up is dilemma, who recalls the memory of the early days of belgium s debauched nightlife with searing leads and low-motion grooves in bocca nights .

un.t.o. drop the debut ep from ssiege. 5 abstract and emotional cuts that all seem to share the same intense and glisteningly creepy aura. composed between 2013 and 2016, the feeling conveyed throughout is always one of raw emotion.

ahead of his third release for rush hour’s no label and following his alien jam’s ‘international journey of synthetic emotion’, design a wave’s debut on subsubtropics ‘international journey of applied music’ conveys another lush excursion into his ever colourful and deep-seated sonic realms.

the 3rd album from aerosmith, originally released in 1975, now back on 180 gram heavyweight vinyl.

for over five years, all day i dream has been where deep and emotive meet house music. propelled by a community of forward thinking artists drawn around the scion of master curator and sunset/sunrise set specialist, lee burridge. all day i dream formally welcomes lost desert to the label with the release of lingala, a two-track collaborative effort with burridge himself, that also features junior on vocals. lost desert was picked out of obscurity after burridge discovered his music while trekking in a remote area of a long lost land. a fast forged friendship inevitably lead to the studio, and lingala’s the enrapturing sophomore result. the duo’s first project together debuted on lee’s night time imprint, get weird, earlier this year to widespread support. lingala, is a beautifully composed ten-minute sonic journey. built around a mystical lead vocal sung by newcomer junior in his native linagles the raw emotion slowly builds in intensity over propulsive basslines and deep melodic grooves . gorje hewek & izhevski’s interpretation of lingala is a markedly different affair. focussing on musical layers rather than the vocal the duo’s signature spacey atmospheres and minimal rhythmic percussion add extra strings creating uplifting moments that contrast the original’s mood.

nice price deal !!! science fiction limited s fourth release, saturn, solidifies the italian duo s ability to navigate a wide range of emotion (& bpm), while retaining a consistency of style that mirrors all of their previous releases - these are four raw, banging, purely analogue tracks, each tirelessly rehearsed and recorded live.

dj heure parachutes in from adelaide with four ethereal slabs of beach-coasting oberheimer jams that sparkle and shine and drift across the sunset sea. late summer jams that coast along a sunset beach, radiating the last glint of the sun & twinkling with gorgeous, emotion-drenched synth work.

re:works is the result of a groundbreaking project that sees the rich catalogue of decca classics being opened to some of the worlds foremost electronic producers, seeking to further establish the common ground between the historic and modern day aspects of musical composition. ranging from the experimental to the more recognisable 4/4 structures of house and techno, re:works elicits the full range of emotion – from the heartbreaking to the ecstatic. francesco tristano takes on one of the most recogniseable piano riffs of all time with his remix of ‘merry christmas mr. laurence, which, after a brief introduction of that seminal loop, descends into deep, dubby house cut punctuated by shimmering keys. patrice baumels remix is an intense techno workout that is in many ways the antithesis of his definitive roar: a non-stop pummeling via clattering percussion and a heavy, pulsing bassline. completing the package, grammy-nominated studio legend martin buttrich delivers a melancholy, minimalistic techno take on saties gnossienne no.4

words mean nothing. no judgement, listening as a true value. words from iori. words from modvs.

adesse versions coming on toy tonics! after some heavy releases on numbers, local talk, make love in public spaces and his own white-label imprint, kevin gorman brings us four new raw, heavydriving, superfunky cut-and-paste- house tracks. killers! adesse versions started as a re-edit project while kevin lived in vietnam. it grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (check his boiler room). gilles peterson, derrick may and larry heard are fans. adesse versions is all about paying tribute to his musical idols and creating timeless music. through rough sampling and raw emotion and as a dj and collector. he is an artist that has toured the world many times over. exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. to hear this in action, check out the monthly adesse versions show on rinse fm.

brill deep hypnotic house

we need to go back to basics to rediscover the true essence of each sound, in its nature, and above all expressing the most important part of his emotion.

nice price deal !!! under the pseudonym >never ever< is hiding two talented musicians and thomas gregory bauche fraboulet. after 5 years officiated as >electro compulsive< the duo decides to change its name to a new musical direction and vision by adopting the name of never ever . this name carries with it the weapons of the past and a fresh look to the future in the image of their creations. real catalyst of emotion their music is imbued with a strong culture-mail (from the chemical brothers, vitalic) and a real experience in live

beautiful gatefold sleeve with high quality paper and pantone coloured print, printed thick inner sleeves, 2x heavy vinyl the long awaited return of tripswitch (written & produced by: nick brennan) sees this veteran of the chillout scene evolve into a producer of the finest deeply melodic, progressive house music. feeling in need of a fresh challenge and creative new direction after 10 years of establishing himself as one of the worlds premium chillout producers, nick brennan has been focused on exploring and developing a more dancefloor-orientated ethos whilst adding to his ever-growing catalogue of tracks and remixes over the past 4 years. this new album project for 2016 is the culmination of his experiments in steadily upping the tempo of his renowned live performances vagabond is an elegant and refined collection of truly progressive house music, impeccably produced and full of the musicality and emotion that has cemented tripswitchs reputation and high regard within the chillout scene throughout 15 years of releases.

love will fix it: the best of ashford &, simpson is a comprehensive double vinyl lp spanning the legendary song-writing duos own recording career with warner bros. records from 1973 to 1981. the husband and wife team of nickolas and valerie established themselves in the 1960s as one of motown records many successful hit making partnerships (“ain’t no mountain high enough,” “you’re all i need to get by”). the duo added even more depth, emotion and musicality to their self-produced recordings. this newly remastered, comprehensive groove line records release features 19 of the duo’s classic progressive 70s r&b duets including it seems to hang on, send it, don’t cost you nothing, found a cure, bourgie bourgie, love don’t make it right, is it still good to ya, ain’t it a shame and one more try, of which the latter four titles are represented here in their extended form, and many of which are mixed by valerie’s brother jimmy, regarded as an early innovator and enduring influence on dance music. groove line records cut no corners when making sure that each and every one of our releases has the highest quality performance possible. newly remastered from the original tapes and half-speed mastered by matt colton at alchemy, its housed in a gatefold sleeve featuring liner notes penned by christian john wikane. love will fix it: the best of ashford & simpson is an essential addition to any serious r&b, soul, funk and disco vinyl collector.

with the distinct ethnic-driven sound of deep forest, eric mouquet belongs to the few unique pioneers of electronic music. his highly recognizable sounds defined the concept of world music and shaped the all-new sound of ethnic-electronica. deep forest’s latest releases include deep brasil, deep africa and deep india where eric mouquet explores the unique musical expressions of some exciting cultures.
on his new album “evo devo” eric mouquet has gone even further – and nevertheless simultaneously back to the “bohemian feel” of his early works. his tonal craftsmanship has developed into an own artistic language. every track explores a distinct emotion. you can almost feel and follow eric’s inner motivations and share his musical journey to the frontiers of contemporary electronic music and beyond.

limited 10 years because music edition, double lp in gatefold sleeve including cd.
justice, whos name the world (well at least that part of the world that loves to dance) chants with emotion and whose first album is awaited with bated breath ever since the french duo revolutionised dancefloors with two radically different hits. it comes as no surprise that «†», the first album by justice, is a fantastic treat for the ears and for the feet. a kind of musical opera marked with religious and baroque symbols, where the melodies are ripped to shreds by the beats, where electro teaches rock a lesson and where pop gets a botox injection.

>private.< is the debut album from rebekka & fox, a collaborative project by the singer andsongwriter rebekka brunow and dj and producer hannu nieminen. the finished record is a balanced affair between modern electronic club sounds and ethereal wistful pop. hannus visions meet rebekkas melodies and lyrics in an effortlessly natural way. despite the multitude of ideas, influences and genres, the result is solid and intriguing. the production techniques are refined, but they never suppress the unfiltered raw emotion. >private.< is a moving album in all senses of the word.

yokoo has been slowly gaining a well deserved reputation for quality the past few years. already playing our events and an integral part of our family he first featured one of his productions on last summer s sampler. finally his own solo release sees the beautiful light of day. each track perfectly crafts an atmosphere. each a story unto itself. yokoo enlists friend and multi talented artist retza to add an extra layer of emotion to his already complex musical compositions. the result? a three track ep to not only send you soaring in to space at certain moments but also, at he same, time have you explore organic musical jungles, oceans and deserts of our world and others yet discovered. no one is really sure what that means exactly so why not let the music describe itself.

heading up the release is newcomer bogdan drazic, crunched up horn and elephant blaring freak-house and ebm, perfect for zombie clearance raids. in the amazon. at night. the gates of hell are open and i couldn t possibly describe what s climbing out. last but by no means least is the valencian hero daniel kyo, perhaps the true heir to the throne of the real sonido de valencia, spaced out and cosmic with layers of emotion and sinister atmospherics. they sleep, we live.

andreas gehm is known for his fierce, unapologetic acid style. but the cologne man does have a more mellow side, a smoother side, and that s what this three tracker is. of course, smooth gehm still has some rough edges. -yellow flowers- combines thick pads, skittering beats, warming samples and frigid bars in an intoxicating brew. malice and menace rear their ashen faces for the evil machinations of -late at night-, muffled vocals and sharpened snares glinting in the streetlights. safety arrives in the form of the aptly titled -less violence.- rhythms are still rough edged, melodies still have an underhanded element. yet there is a subdued humanity in the sweetened strings, emotion coming to a head as the needle runs out.

the new label la pince records created by the parisian trio dub creators aka dj d2b / steve ko / lucho misterhands is happy to announce you in preview the exit release - mongolistic ep -. for this first ep, dj d2b deliver to us 3 unique et exclusive directed pieces house / techno with a influence minimal. along with beats & vocals of shaman inspiration, hypnotic melodies with sensual tones, -which promise you a nice trip into the clouds-.

not too long ago a jiffy bag arrived at parkwest hq. in it was a scratched tdk case with a sa-x tape containing a musical message from years past, simply marked the tape i lost! we sat and listened, able to pinpoint influence and reference but yet hearing something totally new. that this tape surfaced and made it across the years and the miles to us was fortunate. when the synth part came through clear on a later version on the tape, allowing us to remix then it became destiny. emotion, melody and rhythm will always be timeless and these tracks, selected from that tape, are as relevant today as they ever were.

one of the beautiful things about displayfm is the orbital-serious-full-on-dance-floor music which they deliver. while beautiful and yet caustically intense, off the ground’s reliable output, can feel awfully bombastic.
each track reflects a finely accomplished sound composition with playful percussion, microscopic sonic details, perfectly measured to a powerful record. it’s displayfm’s usual techniques coupled with a melodic and emotive approach. dualism s remix is personal and makes for a carefully crafted enhancement. the song is moving versatile with emotion, texture and instrumentation. unloose yourself and enjoy. off the ground is a unique sound design with hypnotic grooves for impactful moments. be numbolic..!

this is a collection of unreleased tracks from the solo project of stefano tirone, formerly a member of state of art and der blaue reiter and later known as s-tone inc.

mojuba sub label a.r.t.less presents the second 12inch by munich techno duo trap10. three cuts of high quality detroit influenced no nonsens techno, ranging from heavy peak time action to subtle emotion ladden deepness, enjoy it!

continuing a sublime run of form for the label, the fourth outing on the lopasura imprint, is yet another classy trio of heady, analogue machine laden masterpieces. opening up with “out of the fog’, the familiar acidic arpeggio and crisp hits we’ve grown to love from benedikt frey, dance unwittingly along before being opened up by long, cinematic pads drenching the track with an emotion and grandeur so synonymous with his music. complimenting the a side, the looming intent ‘wolves’ adopts from the off evolves quickly into a driving, hypnotic and beautifully crafted piece that’s a true heads down, eyes-shut techno battle weapon. rounding off the ep on the b side is the exceptional ‘lights’. an unsettling, caliginous whir of industrial drones balances the tribal, percussive elements almost depicting a lost ship crashing over the swells of the ocean as it clings on to futile hope of finding the lighthouse. it meanders and threatens before an incredible synth hook ebbs in and takes over momentarily, before calmly simmering as the storm passes. never before has love pain sunshine and rain been more perfectly encompassed.

salt mines return with another selection of artists from it’s birthplace of australia and abroad. astral house and ethereal techno drive this heavyweight 12” to celestial heights and beyond, saturated pads and synth work brim with emotion whilst clattering beats shuffle through the dust covered floor.

james k is a stranger to obviousness. over the past few years the new york native has quietly honed her sound and peculiar aesthetic. equally organic and electronic, her sound is a combination of odd dreams, industrial beats and vocals, both incomprehensible and appealing, with a thick layer of glitter on top of it. james k is a concentrated dose of emotion mixed with sorrowful iciness, which in turn ties together ripped, broken, morphed and enchanted samples. james k stands for a fusion of visual and sonic elements, deeply rooted in conscious art practice and downright freak-out. james k creates a mythology of her own. pet, her first lp due out in early 2016, will be a co-release with dial and her own label, she rocks!

unblock music comes back again stronger with its reference 003 retro city ep, spicing up the electronic with three new cuts of one of its most self-wise producers: tomoki tamura label boss of the mighty holic trax.the title track to the ep retro city, with taste of acid house lines, analogue machine and mix of vinyl samples wrestling each other for control here tomoki builds an absolutely mental stuff.among the tracks is eee something rmx, this cut reflects the imprint from unblock label boss tuccillo, whose eclectic discography has earned him a well deserved international following in the last years old school house sound that allowed to breathe in a warm, enveloping sound, there s not a weak point on here.finally the 12inch to listen the eee something original and its secret weapon , the intriguing rmx of djebali that has its own distinctive flavor full of emotion and musical invention.in this latest offering of unblock music.tuccillo and the camp around him individually as well as their labels and frequent collaborators are continuously releasing solid electronic music and the result is simply brilliant.

ashworth concentrates on the essence of solid techno in his first full ep for made of concrete. inspired by the main component of concrete itself, the material is intitled ‘portland’ and consists of no less than four original tracks. “world” makes for a gentle introduction by opening with a soft melodic lead, swiftly changing the tempo after a few measures. we’re quickly immersed in a syncopated bassline peppered with whirring synths that harmonise with full scale piano cuts, the most intriguing earworm on the entire cut. on “launch” the producer lays down hard hitting techno drums from the get-go, setting the foundation for a tense atmosphere. ashworth’s signature move quickly ensues, as he manages to inject emotion through synths and piano pads into an otherwise tense and anxiety-ridden ambiance. toning down the graveness of the previous tracks’ mood, ”mineral” reveals a surrendering groove, with a stripped down, minimalist approach, where the melody is assembled with the help of industrial elements, emotive bleeps and electric glitches. ashworth’s experimental edge is evident in the final track “scatter” - the sub bass lead creates a morose atmosphere paired with low-key synths and mechanical loops. while the first two tracks showcase ashworth’s ability to instill life into solemn techno soundscapes, the second half of the ep successfully exhibits his edgy experimental side, adding up to a heterogenous release.

for the first vinyl release on sound & object we are thrilled to have chicago resident area bring us the ep forbidden plateau. in forbidden plateau area is able to create a mood of equal parts confident swagger and tentative emotion. rich pads, loping piano melodies and robust rhythms swirl and mix to land somewhere between house and techno. the 3 original tracks - and a remix from mikaere - create an ep that is full of space, details, bright edges and dark corners all framed by lively beats.

pris offers a brace of monochromatic recordings - bookending a pair of brooding soundscapes with distressed, reductivist club fare. an impressive continuation from past work, that surfaced via his own resin imprint and stephen bishop’s opal tapes project, the record is bound tight by a powerful sense of unease & bonafide emotion - finding itself sitting neatly in amongst avian’s most successfully articulated releases. printed inner and outer sleeve. black vinyl.

since setting the tone at born electrics boiler room take over and releasing a widely acclaimed debut release on born electric, pedram s production has found its musical feet in unique ground, which his second ep on born electric firmly cements. the ep opens up with lex. a track which personifies what is gradually becoming pedram s signature sound, ethereal soundscapes, full bodied arpeggiated synths, off-kilter drum rhythms and full of electronic emotion

(ltd green marbled vinyl) inspired by the sound and emotion of loscil, tim hecker and pan american, verwijmeren constructs a mu-sical cocoon to imagine a vision of a different world. through his dark but beautiful soundscapes, he tries to break daily routine and accept the dark side of life.